Chelsea Wolfe’s latest album,
Abyss, connects to listeners on a carnal level by embracing what Jungian psychology would call the “shadow side.” From the social commentary of experiencing suicidal thoughts in “Iron Moon” to the shadow figure phenomena of sleep paralysis portrayed in “Color of Blood,” Abyss presents a new personal horror with methodical, sludgy depth. “My friend Brian Cook did me the solid of writing a bio for this new album,” Wolfe says.…
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